Approbations 568
—after Charlie Haden’s In the Moment
This | |
spatial now of an hour’s silent
undress
ing
begins by singing
lips of air of trees of
partial awareness
reveals and commends
too
relates and comprises
momentary interpretation
that of
delivered nuanced
spiteful delegation: missed interpretation though the body
complex shouts into conjure: look look the meaning is luxurious
devotion.
Approbations 569
—after Paul Bley’s Lull-A-Bye
Missed layered understanding, truth
upright, vertical liaison
italicized
version of a tone’s softest whisper: I
prayed to you,
those of saddened
copyrighted misfortune, the bodies of you
so limp
so displeased with fortune of another’s gallant
volume of echoes;
may I leave for you,
a rendition of pattern
hopefully the weak of you
can muster and enjoy:
come, here, hold out the wonder of your naked hand.
Approbations 560
—after Arild Andersen’s Infinite Distance
Arranged, geometry; boomerang of your voice, now broken
solved solution of problematic obstacles; here
I dedicate pages of turning desire: leave now, your face
crumbled into a paper’s origami
monster, deranged and dislocated
from the sight of my eyes’ new burgeon:
contours of fascination
returning to memories
held among walking fires.
texts that change the conscious parameters of literature, both for readers and writers. from a different angle than these, r.p. blackmur adds: 'poetry: [is] ...language so twisted and posed in a form that...it adds to the stock of available reality.' formerly edited by peter ganick. send texts to Volodymyr Bilyk at ex.ex.lit@gmail.com for consideration...
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