Sunday, January 27, 2013

poems || John M. Bennett


edu

nor link nor
“time” nor
pee
l

)O(




wedt

sh OT the ph
ONE the gas th
e finger ink
≈ corner w w  w   w    w      w
ave   )th

rabb it




prt

har d om
e n e aser
)dock below ah(
gig gling shade

)or wiggled foc
             us (((((((((((((((((((((((((





to

ulder
g]at[e
prower

::::::::::::::::::fog::::::::

2 pomes || Billy Bob Beamer


POMEtoads ad  
withinithwertséjour chaud et coffre-fort. Paix, tles voix deЦ tuyau ont entendu
tooquiet à f [oeil] n|le gentlemacCa [melou] t de roomc
wearth [ofyoungsplatter d'etwist
orphie] MOIS|onkЦ de pièce de lyde de gra [fil de la CE]
travailroadsquirmaiguillonsб d'imng
hu de couléestle spill crapauds E-Ds
coffre-fort tay de baguette magique de bras. pas estboulliand de mercredi c'
 
travailroadsquirmimng goads
teeming hustle spill ed toadss
 
tay arm wand s a f e. Ц pace mercredi c’estboulliand
 
...............................................................................................................................
 POME
\dou monclass{articicle}
\pegsale   {em pty}
 
\usepac ag {tricks}
\useacage      {egameps}
 
\beg      {doumen}
 
\bein{e  game}(   68)
\pu tr an ch(3040)(1){0}
\itt i b{1}{$$}{$$}
\pub ranch(10  1)(1)  {7}
\ib{2}{$ A$}{$ R   $}[$ 5[$ 00 $]
\pu ba nh(4565) {7}
\i{2}{$$}{$ $$ $ $0    0$]
\end{e g    m  e}ar tic icl ep op
 
\en{do c men     }940  95 ]3doe ]
 
 
 

Saturday, January 26, 2013

poem || donna kuhn




dance to forget

this dream is afraid of going down
u tell me to forget about sand
nobody knows i have expectable
lips

i will always cry, i will always cry
nobody knows how much i love u
u come back and i need to be

behind one million pens
one million anemic pens
u are more than a sand 
dune

i need the ocean and i am looking
for music; i see u, i don't; i will only
give; no, i will only take

everywhere u are supposed to talk to me

u are a hand again, a stomach
i will only have expectable
apple lips, i am, i should

i will, i don't; it breaks my daughter
again and again; i need to cry when
u come back

this dream is down, u tell me to dance
forget, they tell me, dance to forget
nobody forgets my sand is round

there are pencils and the ocean
disappears again and i love u
u show me u are afraid of geese

they're mean; i will only give u 
a handstand against music
my daughter, u are music

novel excerpt || John Pursch





Hip-Deep


Momo boots MLK-14, feeds him shredded history, unblocks dialectic ports, and discards every other phoneme, tuning down to treasured lowland imitation chatter. “Drink up, Marty, else you’ll never pass QC, end up stuck at barnyard babbler, fit for local watering hole gibberish, like slobbering loadie Reagan-83.”

A few more shreds and Martin’s speaking perfect Latin, polished English, composing sonnets on the fly, breakthrough theologies ready for final facelift. “So much for lingual grooving; let’s install the orator,” Momo suggests, uploading pre-configured content, tweaked to equal bias. “OK, let’s hear that dream again.”

The lobot’s eyes flip up and open, fixed on textured holographic millions, Watchingstoned’s Refracting Pool thronged and shimmering below. Instinctively, he sits up, adjusts his tie, smooths his hair, clears his throat, now decides to stand; the hologram recalibrates, fills the room with feed from early ’68, crowd cheering, and Martin leaps right in: “I have a dream today!”

“Nice energy,” Momo nods, raising an eyebrow. “Continue.”

“…one day this nation will rise up and live out the true meaning of its credo, ergo, illimitable reductio ad Absalomo, foregone connubial sandhogs sifting sense from referential presto, hovering in vocal context, melting into diagnostic meals, timing silent laughter, climbing to a smoke-filled auction of decimal fins…”

“Slipping off topic,” Momo observes, looping her right index finger. “Tighten it up, Marty.”

“…Jews and Gentiles, Protestants and Catholics, simian constituencies, donuts of the demolition quartets fondling demitasses, spindling woven thoughts in frozen lakes and missing hotel sinks, clipping croutons from the Royal Mayonnaise Gazette, Issue 42, Volume e…”

Momo sighs, raises her finger, and MLK-14 goes silent, gazing into holographic sinkage. She thinks a moment and spews code: “Linearize on theological segment 37.4285, spin to seeker-centric, tail off humanizer femme flagship, pin to retro-tracheal minimizer, follow loosened autonomic listener, fallback to tonal motion flux. Retry and iterate,” leaving the room.

“How’s he look?” Emily asks, glancing up from JFK-21’s nascent torso.

“He’ll be ready for Montauk tonight,” Momo replies, entering the lab. “Working on his speech…”

“Excellent. Hey, this new Jack’s quite an upgrade; reduced womanizer, pegged charisma, double IQ, unlimited libido… Let’s set him up with MM-23 before we take Marty to the lighthouse; she just finished off that row of drooling Bobbies, barely broke a sweat. What do you think of that, Jack? Would you like to meet Marilyn?”

JFK-21’s eyes light up: “Well, having been trimmed by scarcity’s flippant league of bellicose brethren, I flounder as gracefully as ignorance allows, hip-deep in hypocrisy and halitosis. Who can tolerate, let alone absorb, the bilious ramjet spittle, the fleshy flux of gibbous gawking and flailing that crowds of craven characters routinely regurgitate, in thoughtless tureens of cellular wastage? Not a concept given, not a consequence considered! The uhh current global situation is an incredibly profligate mess, a wildly inefficient, sprawling debacle, taking down continental jungles, ice caps, planets of neglect, barren moons yawning and winking, admiring the incessant, insatiable repetition of creative destruction, of deadly reproduction, of mindless lunacy.”

“Great, that’s just fine, Jack. Marilyn, this is Jack. Jack, Marilyn.”

“Good evening, Mr. President,” MM-23 coos.

“I uhh well uhh welcome to my laboratory, Miss Monroe.  Emily, perhaps you and uhh Momo here-ya would be so kind as to take our good friend Martin for a little spin to the lighthouse. Marilyn and I will be happy to uhh mind the store, so to speak.”

Friday, January 25, 2013

2 poems || John M. Bennett


Mirror of Chicken Symmetry

xent the spelling bonnet
neglect the convosolution
bunny ruins like beakons
wind and insects ,frog shatter
,wages ,dice ,three eels
in the molecular mask your
,skin ,burning ,elephant ,br
eath loaf theater ,“im
possible” advertising  )foaming
cook light(  )the divine
oatve(  hacademia prolifio
,the new cat-hinge grease
.poetic ,shovel the seas ,saus
age-hat ,civilizatix  )comm
its gasoline(  ruptured type
writer alone at facts ,the
piano ,remainders ,further
investment ,iqgobqa ,not
bus vac ,expla toothpick
sees ,socia bes digres
s ,choice bomb ,the char
ts concura sud project
,deatb abors naih fight
.engines  .ressimultar cho
eye abababan “the wire”
oppos it sent “through” a
)loudness(  inscillato
)dogs(  PERFONES THE
LOOBPS  )garage dr
ones(  )their spel their
ling their  ..............................
batch acceleration  )fos
sil sectors ,Compost Pat
terns ,vertical hums the
,fire design

                                     arm

  
Found in Jim Leftwich’s
Six Months Aint No Sentence, Book 35, 2013






Espejo de la Caja

es dentition es runítico es
embolismo es inane o es
lubrecto es no es ni thou
ghtless es un gringo es to
billo es el sol que se acuerda
de la bruma es pulmón es
went away es míster wh
ispering in the closet es un
zapato en llamas una mon
eda es una monada es a
cork soaked in urine es
the glass the enema the
dress light with bullet
holes y en la pared es un
cancro es el polvo es
un trueno lejanísimo
donde me veo el sonido
donde me veo el efectivo
donde me veo la llanta
desinflada del año
del año de la es o
es enecencia pilfered
and plunged in a mil
dewed cardboard box



...es peso es pero es tim...
- Francisco de Quevedo



poems || Felino A. Soriano




from Of these voices



of harmony the wings extract

                        blur connotes un-clarity a commonality of
spacious interrogation to
 interpret unsaid abstracted function
of varied and multiplying meaning

            each thus
most, in the every facet of understanding’s focal metaphor

                                                jazz in the hybrid of hearing’s learned behavior
an etch occurs
paralleling
particular
sciences of social dilemma:                             how
in the why persuasion
when lift occurs do
these ornate
physicalities
conform in the spectral deliberation of                                   vacant                          experimentation?


query in the notion of derision’s mobile carve


encountered residue a
painted
                        swear
 an alphabet of percussion                                 mobilizing tongue and
in-cheek versions of saved algorithms

                        these
inventions are plagiarized
modern manifestations of past-breathing visions

                                                            then
why
                                                                                                are the names renamed
                                                renamed
then again
revalued/valuated as within the spectral origination of revelation’s nuanced processes?


salience

                        visual named rushing, morbid
in the facet of fractal clarity: into the eyed version of hush

                                    b l i n k i n g                involuntary rest

the articulating pleasure revives as
methods contain systems and impulsive exaggerations each

prism of cell gradates in growth toward

            :           a renaming of alphabetic order, pluralized ignitions
incorporating such fusion of mode and musical delivery

                                                            this
jolt unscrambles as does jazz into the open hand of ballad’s eventual

recognition


vacating clarity

worded coils igniting upon corrective
stress of noble interaction:

assumed maybe of soft-edged whispers
reuniting inward suppositions these
negative colors of inverted solace,
exposed


it (__________) should’ve happened in the prior meaning of purpose

italicized departure holding within single hand the
mirror of

                                    decomposing usage: manus                 incorporating verb of
counting configurations
space

                                                                        exampled virtue each syllable of roam
contours into
                                                related
evaluation

                                    configuring transvaluation of mobile hearsay
within spectrum of

imprisoned illusion
                                                                                    thrown from the awkward levitation a
crow expounds through esoteric mischief
of echoed consultation

                        , ascension



______________

Thursday, January 24, 2013

poem || John Crouse


SONNET


Aquarius Ramparts Android Twilight, Downtime 
Snakeskin, Rabbi Refund. Benchmarks Louisiana
Sculpture, Orangutan, Facebook Norovirus Trampoline 
Boobs Warehouse. Horsemeat Jingoism Breathalyzer Grammy
Elbows. Reunites Sparkle, Jailhouse Tumors Handbags Custody 
Syndrome, Crocodiles. Handcuffs Tobacco, Blackmail 
Retirement, Planets Electrifying Motherfucker Onionskin
Undergraduates. Sandburg Gerund. Inkjet Hypocrisy, Distinguished 
Assassination Emeritus Typewriter Lunchtime Crossover. Memes 
Counterparts Philosophy Podcast Aussie, Vehicular Feedback 
Corrections Backbeat Homepage Toothbrush Biopic Guacamole 
Genre Oddball, Salsa Hardball, Utah Disclaimer. Photoshop Goon 
Orchestrates Sunglasses Ambush, Rheumatic Cemetery 
Retaliation Scone Diabetes Smithsonian Rape.