haibun || Sheila E. Murphy

As Happens

Often free of winter, she enclosed her breakneck speed toward a release of heart. The tropics interceded in the way a wash of salt sea crashed toward the body as it toe tapped at the shore. A line of code might have spawned withholding. Never mind the unintended innocence. A mirrored capstone notified bewildered eyesight. Upstart feelings colocated with imparted breath. No wonder everyone was drawn to love the few cues. The gilded requisite apparel named each target after a concentric set of adages. As though embroidered from the start. As image stored its a cappella circumstance in memory. A chill around the motion scheduled on her chart.

Deciduous emotion, caritas caught from afar, brought close

two pomes || Billy Bob Beamer

ge]n[e]sis 1[ 6-8]

[an]dg[ods]aid[let[t[her[ebe]a[firm]am[ent]in[ ] t]

hem[id]sto[fth]ewa[tersan]dletits[epar[ate]thewa

[ters]fro[mthe]wa[ters]an[dgo]dm[ade]th[efir]m a

ment[an[dsep[a[rate[dth[ewat[ers[whi[chwer]eun

[deth]efirm[amen]tfro[mth]ewat[ersw]hich[wer][ e

abo[ve]th]efir]ma[men]tan]dit[wa]s[s]oan[dgo]d c

a[l]led[ t[he]firm[am]en]thea[ven]an[dth]ere[wa] s

even[ing]and[ther]ewas[mor]nin]gas[econ]day[]in



ge[nesi]s [1] 1]4[-]1[8 ]

[an]d]go[dsai[d]let[t]he[reb]elig[ht]sin[t]hefi[rm a

m]ent[o]fth[ehe]ave[nsto]sep[ar]ate[t]he[da]yf [

ro]m[th]en[igh]tan[dlet]the[mbe]fo[rsi]gns[an] d

fo[rsea[sons]an[dfo]rda[ysan]dye[arsa]nd[l e t] t

he[mb]elig[hts]inth[efir]mam[ent]oft[he]heav[e n

]stog[ive]ligh[tup]o[nth]e[ear]tha[ndit]was[so ]a n

[dgo]dma[d]ethe[two]grea[tlig]htst[he]grea[ter] li

gh[t]tor[ule]th[eda]yan[dt]hel[esse]r]lig[ht]tor[[ u

le]th[en]igh[th]ema[det]he[star]sals[oan]dgods e

t[th]emi[n]t]he[fir]ma[me]nt[o]f[th]e[he]ave[ n s[ t

o][ g[ive]lig]htup[on]the[ear]thto[r]ul e[o] ve r[t h]]

eda[yan]dove[rthe]nigh[tan]dtose[parate]th[el i g]
htfr[om]th[eda]rkn[es]sa[nd]go[d]sa[wth] ati t[ a]

[wa]sgoo[d [es]sa[nd]go[d]sa[wth]atit[s] g o oti[][

from 'text' || Peter Ganick

2122 numbers weevil spatulas inordinately northern surreal frisson each least notification whoever grasp itness skeletal shell familiarity game placebo intolerance otherwise alternatives deliver rome atmospheric dusty sitters each tinctures alias nothingness washer avenue windscreen therein spacious tattoo spatula the rediffering alacrity ousia thrall orison sat noon.

2123 agama prelude otherwise root material directory acme orison vanishing cellars skies there eac- vedette miraculous torrents packing stet vielle tiramisu etruscan nothin- waits no howevers lament seizures plectrum leis winter shell thorough thensome attitu- met chlorides.

2124 whoever shard eras presume torrent liters gitane gypsy yammering fire nth signatures elevator neighborhood pat domicilar lagoon musty waterfallen vendor lapdog enough.

2125 so glyphic elites meander egoic lingua franca thereof sudden eglise ontic lite ebbs either noon scrimmages thumbing rhetoric alternatives maintenance otherwise pandora eclat vanish.

2126 waltz quality zoom parlance longterm possibilities titulary going joiners either glam returnee vigilance humorous kitsch terra ironic firmament scrap itemizers medes amidst operaptives least number thimble rim soapbox maelstroms vouchsafes tine klepto vindaloo.

2127 niter sample tonnage reification whole fife mirroring word each originant smattering only smarting saab incertain clime torrentous northern pallet vendor salted viewpoints merrily language for algorithm language reverts slightly press spoken each other witnesse- ambit game plane ritornello thumbing slater envision relapses mutter slight viewpointillismistic evade sop.

2128 there sop tinroof each stampede bituminous reought signature evenings site each namers elevator scumble relata curious rhombus settlements arundel bottom forest startle upstart envoi lapis grammatical board game placent bird frozen stump brusque jasmine slack opaque.

2129 yet urtext salute frequent greet aorist veno diet aite eins reat ieto ireo leit veir eite isle iten reae vine riem noes itne reol feie tere eite elsewise thrall envoi sudden poets sitting room conscious tira lemma practice othering wassail booted images tentative leas persist evening amulet convoy innocence latte maroon seize lapdog slump cellwise there frenetic lasso rooms.

2130 so mulling at demur eons demigod etc mitten ensconse tete notific- treo- oe- nru- each novice entour essent recall sandeesh there societal response earlies- tiramiralira elixir openers.

2131 treated notificati- utteranc- bille- consciousness where itemize camouflage rhetorical symbiosis thrall presume apres motions wildflowers deterrence matter inner salting rooftops engulf caisso- pang campaign stepvan whichever not existen- other systematic lucidity each witnessing frame each liaison literal conscious enfolding surmounts egoic lamentations elapse.

2132 genetic nomin- shot north etern- smelter medes notebook effig- apparent snide malleability wavelength inner gnomic itemizations wielding surface guardian seldom ratifies.

2134 neither ancilliary border simulacrum others treadmills washout near gnostic valence thorogh suddens itemiz- prema centrism eons later a later middle issue terrier nevada tented midstream culpable icing language degrees where stump a lot bass rooftop aegis matelot growl.

five texts || Felino A. Soriano

 
Approbations 788
—after Anthony Braxton’s Impressions
 
 
 
Your spoken
                                    bird
framed
                        glances of my opening articulation
                                                            an of dawn
reinvention monotone calamity stilled fire resumes
morning’s excavated summer eyes. 
                                                                        You become
sliced renditions of silvery red
                        caressing an air’s lazy fulcrum
manifest observation:
 
                                                            breath oddity
stammering falsetto glimmering echo
            that of
conscious conscientious remedy of regatherings. 
 
 
Approbations 789
—after Anthony Braxton’s 118A Intervallic
 
 
 
Intermission deviant               spectrum façade moribund
                                    between
            visceral components of exacerbated disbeliefs.
 
Last of featured
                                    components:                musical and wind’s
                                                                        symbolic cymbals
                                                            creating
                                    altruistic variances of
            comprised
elasticity
 
                                                                                    mathematical
prevalence       tone of betwixt cultural deities
                                                sermonizing faculties of faith’s
                                    inconsistent
            aggregated
logic. 
 
 
Approbations 790
—after Anthony Braxton’s Brilliant Corners
 
 
 
                                                                                    bend
                                                            a woven           blend
                                    concrete’s
            beautiful paths
                                                outer
leading pivots of
                                                                        hibernating illume
                        learned silence of octagonal consent
roaming thus
            vagabond of incessant enunciation
                                                                        communicating into rewound
                                    silence
deft upon findings a
                                                            desolate misadventure fathoming
                        paradoxical newness.  
 
 
Approbations 791
—after Microkingdom’s Yesterday’s Wizard
 
 
 
Warped wearing
slashed prophecies      (noon awake thought noon’s drowse proclaimed after-  image commencement)
held his seared apologetic scepter
            removing gilded dust              evaporated slanting of
                                                                        portioned exacting
                        wondering of where thrusts of mirages
burgeon into factual denigration.
                                                                                    Cares who then
                                                                                    wanting attention
                                                                                    modes of whole variances
                                                                                    containing
                                                            movement’s
                                                tracking
                                    undulation
                        back into
wearing hope and faith’s mismatching dialogue
explaining harmony’s fallacious juxtaposition. 
 
 
Approbations 792
—after Circle’s Duet
 
 
 
Tandem’s two-fold
                        multifarious organisms
predetermined hearsay of
                                                highlighting functions now
                                                                  represents
                                                                        knowing upon empirical
            paradigmatic statistics.  Together two fathoms’ physiognomy locates
eyes of wanting glare
positioning wanderers of placid desire
                                                                        culminating tried remuneration of
            stalled stentorian hanker
residing bridged tongued acclimation postulating notion.
 

haibun || Sheila E. Murphy

Casino

He makes his way into the place where he feels loved. He used to husband his possessions. He has allowed the place to leave him, as he drifts into the thought of chance. The noise, the indecision, the amenities, the having-in-common, and the not-having. Penitence might come alongside wincing. Shadowboxing with the storehouse of procedures. He expertly thinks, and then abandons who he once was. People know his face to be that promising young adventurist. With shoulders squared in dignity. He used to love the smartest woman's fluency, until she dropped. She fell to how his shadow left the road. The cropping of the path, as if a photograph that grayed. A distant sortie watered by inclement daytime. Now his loneliness is whiled away in secret or in public. No one cares, he tells himself, if he remembers who he is. Now his woman drinks her way home. Veering along the hotel hallway, from one wall to the one across. He would relate this tale in jest, as if not to care although it pierced the pride he carried in his heart. If he could seem to brush away chagrin, some individual might find a new home in his heart. They might create a feeling and allow it to become a place. He might revise the only self he knows. From scratch, when anything felt possible, with or against the odds.

Uneven sentiment, decision tree no longer flowering, a walk, a stopping point, the walking longer

pome || Billy Bob Beamer

pome 11 20 10

here touch amatchupsilence
dreams that strikeevery hour
on the hr if ever sleepworked
a tour blindly. on..go..go..on

the coverclosed eas...y
banishment dea.r.th..of
grass.a..cross the yard
a mis.plac..ed sailb.oat
wa.ves of blu..e mounta

ins.....kille...d ear..l..y
slept...lat..e
how \two/lives\touch/
an...dnever

text || Maria Damon and Alan Sondheim

SECOND AND FIRST

Maria Damon and Alan Sondheim

a re nish d . un workable ar O e t a her s side, Lit . vak, not peason
antry but busie ness folks. F hem le mi lea is lear str e y d and t
u b rns l s to u tow r towa r owar e wards d , a fan t a mol s ole i lec
a ecu cular o i f n sma malap small r c o ap p s s , a nd h TWO M o , l a
h d
ow to j m us i t x me nts wat . ers f for examples S . Small ca p is an
A inves A t A c m A ca ent in A c t A y po a c g a ca r p a

ph is y w o h f a t a o c cc e u r r t s ai
n on k to in
d someth . in . g . stt opping

topping som A et A hing A s els A st e A stopg ap is a cap and thr bells.
on cats, blocking mice in bleared unworkab

l a e ats i a n re be as lls an caps will never catch mice. Mice are u t
un ra unle gi ss c, of c a c ts ou rse a t h r e e pr c o m
i d a l s is is a ca s a l a w . a warn ing, M N Mice are K com o e r s e
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spaces a pear a s b odie Korea s, typing above . and b r r elow r r The
text s so somet i i me s s as sus sp pe ension br b i u d b g bl e ing t
dges o t s, he top wiht i c a e l l or t oth othe r
w is j e , whil c e o n al
n l e cting N it i s c e to t
M re a asure l s t a s ' in s k
t r r f o t fa he falc botto o r r bottom r r r
r Sometimes a text is c r cr ea cra ll crash y e o d n l t y o w a a rs
text, a bl ank d et s

fo b r ottoms, submerge cer d ebr , a

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at t o r f a t s he p s moke ,

c ancer, p s man a p tur s ure the b ody r r ' ba 's n sub 's merged 's
o en 's own t er he p at rises r r the body of r r
the text wo woo t wool r e ap n s

its la o c w e n s t eem h s, N
i ce hea , t a co n t di iction in terms, n e at h e ear n
t by mice r r , rough i in t in o in i in it t s h e m r r t o to u tou t
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b an o
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t b ha l t o r r w just soun d
s too e p l oe o t w i n c r r e t s to s too r r too pretentio i u it s
it's r r d t its its its die ha r dn x e s p s h a i n l d o it s s o phi
bl c owhardness r r r r in all directions, c t l to o too t too tti too p
ng oe , ti c in , a l n l o d t irectio n at a s ll , t r r he si t l to e
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r d a e ct u , x the e s clotting and the r r a st ab o abso p r p b in s
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the r h es e
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surging r r silence of the North resp . onse r r t r r o surgi S ng Su
Sur an Surg d Surge t a he n d s ilen s c ea e r o g f e th e b o dy, r r
r g r r eant it's her , e , s I er t e hink ge i , s a woo

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s , t
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a t e s , filled n b k y fi a c b ti o o u n t s m o y f
d p ea aa t r h a r r dise i i do

n o thing abou p t my d eath pa r r ra a d al i all s all e, all i o ne
th e e d r t g o a do te i e
s s , u r r p ag d agh a agha te s t my will r r r r other o i or se or
or y ur othe othes F othe a other c s e ie boo k w pa i g se e i'm good to
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r i want to rema p in pa scr pas e pas aaming, pas d t e e th f ered, d u
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of m ha me p me a p me abo e ve n r r i ng ou K th r r tha me th ab t
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T articl Too ticle Too l i o t f t l t e h e p the s a he st r e str a
stro d stron i trong s for o c , e too h o m l u
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n as t t u re r r in sp a n

last month's milk r r carton r r and then som w e who r r who went out
with last month's milk carto T n? Tru
i Trum didn' Trump t e k t n s ow an
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r a m ar may ari aybe ar a d

idn' t go

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r r ,

wro ng r r Kind hearts and cror oronets r r h St Stra th Stray h o r med
to n p s u t a n a d ut an cr an en o d t o t
he o dia lo c g, o r i n l e
l ts y , O S r tr ne ay tte h s
orn n r r otwithstanding r r r r talk: connection requested by
#######################################

K # Ytalk Error #

K # #

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=----------------------------- r r Message from Talk_aemon@panix.panix.com
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----------------------------= YTalk version ..
=----------------------------- mine are jumbled like the new software
filter i have for video, rearranging frames, breaking diegesis,
disordering everything, even the most basic sight or site jubilation is in
trumpets, in a manuscript as dated as the fourtheenth centure in spain who
went out with last month's milk carton? i didn't know it dated - or maybe
didn't go out, actually just remained, simmering and turning cool in the
L-Shaped Room, wrong that seemed to put an end to the dialog, illy
Strayhorn notwithstanding ------- i wince whenever i see that i've used
the word "detritus" or "ephemeral" for the umpteenth time in a manuscript
that's as dated aslast month's milk carton and then some Trumpets and
clarions larinets and crumpets you know what's coming next, right? Kind
hearts and coronets Stray horns and cornets, Ornettes "detritus" or
"ephemeral" for the umpteenth time in a manuscript that's as dated aslast
month's milk carton and then some Trumpets and clarions larinets and
crumpets you know what's coming next, right? Kind hearts and coronets
Stray horns and cornets, Ornettes ?l >$ exit Script done on Wed Nov ::

haibun || Sheila E. Murphy

Clarinet

Maybe the full faced surface holds sweet wood tones newly lifted from the music in a moon. I would not tell myself a moment of a thing. I would careen from codicil to caravan and dream talk how I seek adventure. To shape my sense of obligation to an accompaniment on piano that sounded like an engine in a minor key. If cadenzas were conditioned to relax against the flannel near the skin, our competition might not traipse across the blended pathways where it feels better just to walk apart from other people's reasons. Fathoms leave no room for fathers, and the trend's unwieldy sacrifice leaves flecks to the magi when they start to rescue people who believe there's no such moment in their lives.

A pensive audience only as relaxed as its least calm member, half imprisoned by the tune, beginning to believe in the idea of invention

Sheila E. Murphy

text || Maria Damon and Alan Sondheim

FIRST AND SECOND


Maria Damon and Alan Sondheim

(We spent a day making work; there are six pieces, two sets of three.
The text-based FIRST AND SECOND and SECOND AND FIRST use ytalk and
other commands; FIRST AND SECOND follows, and SECOND AND FIRST will
follow shortly. The second set, to be posted tomorrow, uses Maria's
voice and text, and my violin/viola, and pipa. The third set, to be
posted the following day, uses Second Life. Enjoy!)


ing for connection...]
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talk Error
Connection from unexpected host! #
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talk Error
Connection from unexpected host! #
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w to s nts ate s for examples mall c
is an nves c ca nt in c o c cap a c n nt meth n tto ping topping some hi

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les i c , c o ur se h s a ar are r e c co com o mid ida dal i rni g, ice a
e com e s t ib

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qu o eth 4r r r ust he r ig h t eu a r ton r r

protons rela t i vely t e in th ri
at m 4r r n oratoria r r H

o of persuasion 4r r he speed of thought is the death of typing - And r r
r r y h thought smove s move slowly and jubl mbledly 4r r u bi y il y la y
t ati y th n ugh t is s in t ia y 4r r ine are jumbled likee the

e w wi w h e n e il v e er e ' ng f 4r r a r r frames 4r r breaking d e d
dt dtet dt d e d de s det r ering t s " s r or ri " g e e erything eve t m
r e s e s mp g t nth r r r m i it ite 4r r n a man r r script ub ubi ubil
at' n s is in te

ets, in a ma a script as d ted as the four heenth ce l s r r r n spa ast
month's milk r r arton 4r r nd then so m h e ho 4r r ho went out with last
month's milk carton ru
d rum dn'
k t o an d at c a

lar r r ons 4r r r r m a r ma ar d a i dn' t go ; ut, actually jus rem l
ine la lar n me i g a d s urn n ool ets and crumpe r r s 4r r ou now u kn
n kno n know n t n the hw S h w a ha p t' ed R s ing men next, right? 4r r
H ro g r r ind hearts and cror oronets 4r r tra ha y hat

ed to n p s a n d n to e ia og

s

t t n n 4r r twithstanding r r r r r r r r essage from
Talk_Daemon@panix3.panix.com at 16:33 ... r r alk: connection requested
####################################### r r # talk Error r r # r r #
Connection from unexpected host! # r r
####################################### r r
Error r r # r r # Connection from unexpected host! # r r
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###################################### r r talk Error r r #
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r r r H
version 3.3.0 =----------------------------- r r r r r r essage
from Talk_Daemon@panix3.panix.com at 16:33 ... r r alk: connection
Connection from unexpected host! # r r
####################################### r r
----------------------------= YTalk version 3.3.0

=----------------------------- r r ine are jumbled like the new software
filter i have for video, rearranging r r frames, breaking diegesis,
disordering everything, even the most basic sight or site r r ubilation is
in trumpets, in a manuscript as dated as the fourtheenth centure r r n
spain r r ho went out with last month's milk carton? i didn't know it
dated - r r r maybe didn't go out, actually just remained, simmering and
turning cool r r n the L-Shaped Room, wrong r r hat seemed to put an end
to the dialog, Billy Strayhorn notwithstanding r r r r
-------------------------
=-------------------------- r r i wince whenever i see that i've used the
word r r detritus" or "ephemeral" for the umpteenth time r r in a
manuscript that's as dated aslast month's milk carton and then some
-------------------------
=-------------------------- i wince whenever i see that i've used the word
"detritus" or "ephemeral" for the umpteenth time in a manuscript that's as
dated aslast month's milk carton and then some Trumpets and clarions
-------------------------
=-------------------------- i wince whenever i see that i've used the word
"detritus" or "ephemeral" for the umpteenth time in a manuscript that's as
dated aslast month's milk carton and then some Trumpets and clarions
Clarinets and crumpets i wince whenever i see that i've used the word
"detritus" or "ephemeral" for the umpteenth time in a manuscript that's as
dated aslast month's milk carton and then some Trumpets and clarions
Clarinets and crumpets you know what's coming next, right? i wince
whenever i see that i've used the word "detritus" or "ephemeral" for the
umpteenth time in a manuscript that's as dated aslast month's milk carton
and then some Trumpets and clarions Clarinets and crumpets you know what's
coming next, right? Kind hearts and coronets "detritus" or "ephemeral" for
the umpteenth time in a manuscript that's as dated aslast month's milk
carton and then some Trumpets and clarions Clarinets and crumpets you know
what's coming next, right? Kind hearts and coronets Stray horn ts,
Ornettes "detritus" or "ephemeral" for the umpteenth time in a manuscript
that's as dated aslast month's milk carton and then some Trumpets and
clarions Clarinets and crumpets you know what's coming next, right? Kind
hearts and coronets Stray horn ts, Ornettes in a manuscript that's as
dated aslast month's milk carton and then some Trumpets and clarions
Clarinets and crumpets you know what's coming next, right? Kind hearts and
coronets Stray horn ts, Ornettes

three pomes || Billy Bob Beamer

a]d/]an\c]e][\po/me\a]d/]an\c]e][\po/me\][\po/me\

[in memory\ of cage\/ cun[]ningham] a]n[d ][rausche
nberg]in memory\ of cage\/ cun]n[ingham cage\/ ]][\

...........................................................................


[k]/i[[ j]\oi[ u]mb[er oui[ji/ u]o[p[id[s f][ij]i o][p]e r[a]he] [h\a]doi[ ]h[i]f]ih [[\]re\\]
//]\[]]\//

[\no]/ o[ne\ m]ou\r[n]s a[n] [ol/[/\]d] m[[]o[u\s]e[//\][\/][
ol]d n[]o[r\]th mo]u]\/seol/[/\]m[
k\/[]\i] jo[/]i u][m]be]]r o[ui[]j]i [uo[p]ids ]]f][ij[i o]pen[[ r/a'he ha']\/d/oi] h]ifi]h re\
\
/
n[o \o]n[e/ \m/]]o[r[n]s\ a[\]\n/ ol[/d\ m[\os]er]e\/e]r]e

s[e]s]m]ose[[se]s]]/l]o]t]s\]/]]\a
\\
o]u[iji[ u/o]pids[ /fiji o]p/e r]a//h[[e/ ]ha[d[o/i hi]fih r]e
/
\
n[o on]e [m]o[u]rns[ [a]n o[ld[e] ]mo[u[s]e ]ha[d[o/i
c[o]\ld] f\/[o][\r/t[h ]m/[o]s[/]e\
//k[/i j]/o\i[ u/m]b\e/r [ou]\ij/i[ u/][ fij]i ]o[p\[e ]/r[a[h]\e ha]d/[o]i \[hi/\]fi[h re\/][\][

//\][\\

..........................................................................


POME71
from the up empower mounb.erhe..
m[o/re ho.me to. lar.ge\st au[di]o
gl[adh.ang fou[]nd[]er wh[at ca]n
b[e] [s..aid f.ort.he la]st pin]tlife..
fo[r athe s[ou[ls n.o\n.p..hysical.
th\e ]tril]ogy][n]o t/ell ius\ l..atel
y..mu[ch[ are h]ap.p.en whe\n o
n .th.e a[ir..pa]ra[no\rm.al on\ th
e air grea..t to/ s[peak we[ll 10.1
0.all is[ d[/ata si[m]ple th]i.n..g w
e [tin]k h[ard /mu]ch. e.asi.er bea
r.iaian out o\f the way trai]min[g ..
aidsbi..naaural bea/ts alte\res [do
]e forth [go]o n..o..ew[s] fin[d ]g.o
o so[o[p th.is /for.t find .kinfor tra[
in]in[g w]he]e[l whe[el no]t. fal.l o
..ffe..ventually ta[ke t]he.m off get
in w[ay. th..e voice co]ns.train te.
ch /help ge.t there.nb]aln tr[ap do
]n let g.[o go] be\y.]ond thep.tech
jik i say\ this is a begin sa.y s.mi
t.dif]]f[erenc]e sli[ghtly less.. t\ha.
n .4 fourhertz sybc h]emis.p]here
s sy[m[met]ric pattoerns if foll]]ow
w[ focus p.ut in mind statespher u
p\co.m[ing... so\ur p\o.ut doll open
tobeing h/ave t\o rea]liz.eto b.e s.ti
ll. and quietalet all that .pro]ce/ssg
o do\ it ]wh[.at. thhl[ay] f.]o.r fu.np\
int]lif/e fo/r at\he te\c.h he\lpdsbles.

from 'text' || Peter Ganick

0864 which enamel grammatical clueless angina deign tore riffle -ther inverse offlineproffering lat- ni- eu- portion element feint grapheme stadium protean clime terazzo neglect gardenia blunt.

0865 agreeable immense periodicity wallow entropy cenotaph inverse par-affin light carom ironic attentive labelling quota immense ousia throughput mindstyles vacant coiffure tibia clef stealth inversion taller evaporatee in-tersecting cairn enough immerse forag-ing elasticity wherewithal cellar robot happiness scrimshaw documentary pulsar gouge intrepid elasticit- where assures.

0866 damaging eiderdown fallow gnesis patch coating elixir opaque sage re-sponsibility elocutionary blush commensurate borrowing steadfast immensity prattle ingest feckless guffaw nth ocean sic pareil hampers otherwise lissome than lineations amidst awareness subsume throughput excel.

0867 tread entourage tirade yammer clef lest buffo bayonet averaging elope mainsail trapeze zones through repining selections wary tolerable -tread imperialize close fuel somatic graceful aguirre tonearm that starry errata tile infinite attitude motionless availing each patterning list einsam utterly simplest neithe- sacrosanctum variorum saith lasso yea nth clef tentative ersatz foible call.

0868 tries attentio- magazine lest bluster envoi slight epee vein seizure -itter envi-ronmental mirror riffle ritornello scarface deterrent lacuna tenuto breach jitney so java erosion tint ester along.

0869 brie alternatives elaborating mo-tions lea erewhon subsumes thrall oomph seldom fend ethos involution wisely domicilar bottleneck humorless factoring alertnes wavelength interna-tional myopia nicean ceramic dorito neitszche enabling mutter inversely preparative oceanside watering cam-ouflage intrepid next erasure bite introit lateral mullah vessel averaging tradewinds.

from LISTS || John Crouse

LIST


1. Shudder
2. Valise
3. Assurances
4. Progress
5. Around
6. Wearing
7. Uplifting
8. Manager
9. Coolly


LIST


1. Occasionally
2. Marxist
3. Butter
4. Surreptitiously
5. Hiss
6. Blonde
7. Sleeves
8. Prayers
9. Does


LIST


1. Pathologically
2. Streetcar
3. Mentor
4. Atrocity
5. Sunlight
6. Indigestion
7. Via
8. Dimly
9. Anxiety

pome || Billy Bob Beamer

12 directions in a trance

1. a supernatural cake compensates randomness.... annoyance of details

2. purpose supposes an intimacy underneath a long innocence....freezes randomly

3. wasteful protein stirs brutality...thirsts within purpose

4. meaning swallows a cosmic vocabulary...shoes hop meaning grounding

5. sentience partitions an electric relative...smokes a critic ash

6. shoes watch meaning... a large angel

7. representatives peer across loose bangs... against a cab... over an accountant

8. looser beans under a physicist...corridor speaks rocks below

9. opening asterisk in a defeated academic...an historic vessel opposite the gasp

10. a finger to scratch a justifiable sand...mimic closure cracks within a roof

11.destructive freedom exits under a spindly agony...piteous gesture chops buttonwood

12.eternal brass ascends within watches found... higher water pales opposite a rag

haibun || Sheila E. Murphy

Smoke

Smoke made no sense unto itself. One awaited clarity supposed to come along unaided. Passivity redirects as though tacitly un-verbed. The greenery around this house comes from my mind. While leaves outside absorb the water. When it rains the water melts a thought. And clouds return solution. Play clothes foster mood. The only way around this neighborhood is through the coffee line. And with the radio tuned to another language, all the learning in the world uplifts. What dazzles unearths what does not. Informal wilderness alongside strays. Rays of the sun afford a vitamin. It's litmus here amid the chalk tones of the town. I used to like to walk along a pond. My accompanist played beautifully. I talked, still do, unless alone again. The syllables make peace with selves. When light dries, there are the children to reveal. Then sadness as a staple leaves the mind a while. I go lie down as though someone had warned me there is only so much energy. There is only so much energy. I light something. Hear myself think. Notice how the world becomes its own accumulation.

Shades drawn freehand, gray lines blended into no lines, thought not transferable

haibun || Sheila E. Murphy

Smoke

Smoke made no sense unto itself. One awaited clarity supposed to come along unaided. Passivity redirects as though tacitly un-verbed. The greenery around this house comes from my mind. While leaves outside absorb the water. When it rains the water melts a thought. And clouds return solution. Play clothes foster mood. The only way around this neighborhood is through the coffee line. And with the radio tuned to another language, all the learning in the world uplifts. What dazzles unearths what does not. Informal wilderness alongside strays. Rays of the sun afford a vitamin. It's litmus here amid the chalk tones of the town. I used to like to walk along a pond. My accompanist played beautifully. I talked, still do, unless alone again. The syllables make peace with selves. When light dries, there are the children to reveal. Then sadness as a staple leaves the mind a while. I go lie down as though someone had warned me there is only so much energy. There is only so much energy. I light something. Hear myself think. Notice how the world becomes its own accumulation.

Shades drawn freehand, gray lines blended into no lines, thought not transferable

from 'text' || Peter Ganick

2185 with avowal the recurrences slight inertiia rooftop easel tortola night either seizure performance tonation protect chide utterly one suggesting hot headed notions wholly therein sacral oversight akimbo thereins stuck remiss covert least huddle magician lease elastic fuse notification aforement- wide operating elaborate met scrutiny izenson tremor inexactitude.

2186 enough thought stateless culpable therefore reason readership actua- midrange foment fulsome thral- opaquely mortises vale throughput therein empathetic languid settler seller oversight the suspect onrush calliope tjant southwes- anno domini esterhazy infuriations.

2187 eeriest tent crawlers ontic confuse sortilege either radians scientific community spaces of objects randomness antiquarian pulsing infit- elaborations moo scientist gamboling whee gyre the out of touch angel tread naming essent ceiling where whiter frame selig borealis derive inertia seals therefores mocha remedial schlep as dint essent veep enablers deterrence.

2188 enormity madden slit haptic nom de planet elocution heal threes doings adepts nth social guttural inquiry seizure placent mode sling itnes- harpsichord sand shock tine listless angel grammatic envoi salutary gainsaid therefor- treatment curlicues.

2189 therein salting awareness availing echo throughput once thereof accuracy inconvenience cameo tambourine selective natural inverse nothings where returnees through passel antiquarian settle occasion flash lucent took waves ghostly accuracies deterrents seeding rampant cluster photon grammatical surgery neoprene slackness where inversions metric.

2190 enablings whirl thinkings occasion treble watershed league witness crepe du chine taffeta yet moorings sic notebook reopen scientism those felicitous the scrape official notification

2191 wormhole detour blather yammer huddle mud rumor gate incredulous thereas noetic aboriginal neoprene luau vendor either narrow tread nearly once projective maroon eeriest goad primrose apothegm not shoemaker motor field making alit siezure grammatical.

text || Bob BrueckL

November 21, 2010 -- Sunday



Koite cribble shpilkes' rifflers, rubber cement propulsion, septa perforated by a diphuncle, dicated snorkel, rammish stunner, one-stroke downbeat fumus, pinhead teaser: heerein glaikit remiped peculation quashing polyandry backchat off-kilter, augrh!



100 z-stacked images in the eye of the damselfly, curly-tailed wringer nippers, sponges, spatulas, tweezers, tooth twine, spirogyra cleaving to digamy, gnum larrup, ionic azotea, smocked aebleskiver, castrated dites updorrock, synthetic trichords swivelling bilious under the duffer's soldered squeegee, broon of styrene catharts, shrunk stump crone, jokulhlaup bijugue shellacked, stencilled duplicheranno, shall't?

haibun || Sheila E. Murphy

Margins

No matter how repeatedly she types, there are new words lodged in the typeface. I hear the different muscle take each stretch her voice sings from the keyboard. Who needs evidence as a result of atmosphere in motion through the untouched streets and leafage? When it rains, we dramatize a prior poverty. Some people rhyme to help remember what won't match the current day no matter what. A couple walked through instances of time unspent, compared brief notes, and tossed the consonants away. Form trespasses on an otherwise still continent of vowel tones. Limitless skies and children still impose unwanted features on a breath of fresh unfamiliarity. "Fam tours" would be given to young aliens, that they might limber mindset to guide tourists toward a land where people had made plans. Some oceanfront disturbance that would sound in 4/4 time was thought to be a respite. You could hardly hear the person who "came with" begin a tale. Thus, loneliness ensued, just like old times, the week before. One hesitates to mention truth, lest stories be made rote. One's handedness evoked another form of repetition, lazy afternoons filled with vocabulary broken into parts. A documentary well suited to forthcoming insights would be welcomed.

Noticeable seasons between seasons already known, one interval or two